I’m a big believer that you don’t need expensive equipment and a complicated lighting set up to create beautiful images. Some of my favorite images were captured with a really simple lighting setup and with little or no lighting equipment at all. Sometimes too much emphasis is often put on equipment and we can easily get caught up in complicated lighting and expensive gear.
Recently I decided to go back to the basics and experiment with stripping back on equipment. Natural light has been a favorite of mine since I first started photography at 15, when I didn’t have access to any lighting equipment. I decided to put together an article to show you the processes that I used when all that I had in my camera bag was a basic SLR and a cheap external flash. The following are some of my favorite techniques I learned before I had a studio that I have incorporated into my current work.
Window Lighting: Setup One
Window light is one of my favorite ways to work with natural lighting. A window can produce lighting in a similar way that a softbox can, without the need to setup or buy any equipment. And just like a softbox you can create a lot of different lighting effects with a single window.
To create a dramatic image with a range of both shadows and highlights (like pictured), have the model stand with the window to one side. This will mean that the light will fall on one side of the subjects face more than the other, creating an image with contrast and shadow. If you are wanting a more subtle effect, try turning the model slightly more towards the window to lessen the shadows. You can also pull the model away from the window to dull the contrast of the lighting, or move him/her closer to the light source to increase contrast. If you are wanting a softer effect, experiment with lightening the shadows by using a white reflector.
Window Lighting: Setup Two
Another favorite setup of mine again uses only window lighting. By posing the model facing directly towards the window, the lighting becomes soft and even. Stand with your back towards the window and have your model pose in front of you, facing towards the window.
I love using this technique for fresh, natural portraits or for beauty work because the angle of the lighting tends to enhance and open the model’s eyes. You can manipulate the lighting in a couple of ways. Positioning the model closer to the window will brighten the image and positioning the model further away from the window will increase shadows. I like to find a middle ground, where the model is far enough away from the window so that the lighting has an even mixture of light and shadow. Lighting can also be enhanced by adding a v-flat or reflector to bounce light.